Carl Larsson
A Sweden Museum
Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.		 Carl Larsson

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Here are all the paintings of DYCK, Sir Anthony Van 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
6541 Blessed Joseph Hermann g DYCK, Sir Anthony Van Blessed Joseph Hermann g 1629 Oil on canvas, 160 x 128 cm Kunsthistorisches Museum, Vienna
24298 Charles I (mk25) DYCK, Sir Anthony Van Charles I (mk25) 1636
6526 Charles I of England and Henrietta of France dfg DYCK, Sir Anthony Van Charles I of England and Henrietta of France dfg Oil on canvas Galleria Palatina (Palazzo Pitti), Florence
6518 Charles I on Horseback fg DYCK, Sir Anthony Van Charles I on Horseback fg c. 1635 Oil on canvas, 365 x 289 cm National Gallery, London
6517 Charles I: King of England at the Hunt drh DYCK, Sir Anthony Van Charles I: King of England at the Hunt drh 1635 Oil on canvas Mus??e du Louvre, Paris
6536 Christ on the Cross dfg DYCK, Sir Anthony Van Christ on the Cross dfg Oil on canvas Sint-Jacobskerk, Antwerp
6537 Crowning with Thorns fdg DYCK, Sir Anthony Van Crowning with Thorns fdg 1618-20 Oil on canvas, 223 x 196 cm Museo del Prado, Madrid
6538 Cupid and Psyche df DYCK, Sir Anthony Van Cupid and Psyche df 1639-40 Oil on canvas, 199,4 x 191,8 cm Royal Collection, Windsor
6539 Deposition gh25 DYCK, Sir Anthony Van Deposition gh25 1634 Oil on panel Alte Pinakothek, Munich
32292 Diana Cecil, Countess of Oxford DYCK, Sir Anthony Van Diana Cecil, Countess of Oxford 1638 Oil on canvas, 107 x 86 cm
32291 Equestrian Portrait of Charles I, King of England DYCK, Sir Anthony Van Equestrian Portrait of Charles I, King of England 1635-40 Oil on canvas, 123 x 85 cm
6532 Family Portrait hhte DYCK, Sir Anthony Van Family Portrait hhte 1618-20 Oil on canvas, 113,5 x 93,5 cm The Hermitage, St. Petersburg
6540 Golgotha gjk DYCK, Sir Anthony Van Golgotha gjk 1630 Oil on canvas Sint-Michielskerk, Ghent
6524 Isabella Brandt dfhjj DYCK, Sir Anthony Van Isabella Brandt dfhjj c. 1621 Oil on canvas National Gallery of Art, Washington
6542 Jupiter and Antiope dfg DYCK, Sir Anthony Van Jupiter and Antiope dfg Oil on canvas, 150 x 206 cm Museum voor Schone Kunsten, Ghent
6520 Marchesa Elena Grimaldi fg DYCK, Sir Anthony Van Marchesa Elena Grimaldi fg c. 1623 Oil on canvas National Gallery of Art, Washington
6550 Nicolaas Rockox dsws DYCK, Sir Anthony Van Nicolaas Rockox dsws Drawing Royal Collection, Windsor
6530 Porrtrait of the Sculptor Duquesnoy fgh DYCK, Sir Anthony Van Porrtrait of the Sculptor Duquesnoy fgh 1627-29 Oil on canvas, 77,5 x 61 cm Mus??es Royaux des Beaux-Arts, Brussels
6521 Portrait of a Gentleman sdf DYCK, Sir Anthony Van Portrait of a Gentleman sdf 1624 Oil on canvas Alte Pinakothek, Munich
6527 Portrait of a Married Couple dfh DYCK, Sir Anthony Van Portrait of a Married Couple dfh Oil on canvas, 112 x 131 cm Museum of Fine Arts, Budapest
6516 Portrait of a Member of the Balbi Family DYCK, Sir Anthony Van Portrait of a Member of the Balbi Family c. 1625 Oil on canvas, 132,7 x 120 cm Cincinnati Art Museum, Cincinnati
6519 Portrait of a Young General dfgj DYCK, Sir Anthony Van Portrait of a Young General dfgj 1622-27 Oil on canvas, 115,5 x 104 cm Kunsthistorisches Museum, Vienna
6531 Portrait of Father Jean-Charles della Faille, S.J. dfh DYCK, Sir Anthony Van Portrait of Father Jean-Charles della Faille, S.J. dfh 1629 Oil on canvas, 130,8 x 118,5 cm Mus??es Royaux des Beaux-Arts, Brussels
6525 Portrait of Philadelphia and Elisabeth Cary fg DYCK, Sir Anthony Van Portrait of Philadelphia and Elisabeth Cary fg 1635-38 Oil on canvas, 162 x 130 cm The Hermitage, St. Petersburg
6549 Portrait of Pieter Bruegel the Younger dfg DYCK, Sir Anthony Van Portrait of Pieter Bruegel the Younger dfg Pen drawing Teylers Museum, Haarlem
6535 Portrait of Porzia Imperiale and Her Daughter fg DYCK, Sir Anthony Van Portrait of Porzia Imperiale and Her Daughter fg c. 1628 Oil on canvas, 184,5 x 134 cm Mus??es Royaux des Beaux-Arts, Brussels
6534 Portrait of the Artist Marten Pepijn dfg DYCK, Sir Anthony Van Portrait of the Artist Marten Pepijn dfg Oil on panel, 72 x 56 cm Koninklijk Museum voor Schone Kunsten, Antwerp
6522 Self Portrait (detail) 12f DYCK, Sir Anthony Van Self Portrait (detail) 12f c. 1621 Oil on canvas Alte Pinakothek, Munich
6523 Self-Portrait dfgjmnh DYCK, Sir Anthony Van Self-Portrait dfgjmnh 1625-30 Oil on canvas, 116,5 x 93,5 cm The Hermitage, St. Petersburg
6529 Sir Endymion Porter and the Artist dfh DYCK, Sir Anthony Van Sir Endymion Porter and the Artist dfh 1632-41 Oil on canvas, 110 x 114 cm Museo del Prado, Madrid
6545 St George and the Dragon dfg DYCK, Sir Anthony Van St George and the Dragon dfg Oil on canvas Sint-Jacobskerk, Antwerp
6544 St Martin Dividing his Cloak f DYCK, Sir Anthony Van St Martin Dividing his Cloak f c. 1618 Oil on panel, 171,6 x 158 cm St Martin, Zaventem
6548 St. Mary's Church at Rye, England DYCK, Sir Anthony Van St. Mary's Church at Rye, England 1634 Pen drawing Galleria degli Uffizi, Florence
6546 Studies of a Man s Head DYCK, Sir Anthony Van Studies of a Man s Head Oil on panel, 53 x 98 cm Rockox House, Antwerp
6547 Susanna and the Elders dfg DYCK, Sir Anthony Van Susanna and the Elders dfg 1621-22 Oil on canvas, 194 x 144 cm Alte Pinakothek, Munich
6543 The Lamentation of Christ fg DYCK, Sir Anthony Van The Lamentation of Christ fg Oil on canvas, 115 x 208 cm Koninklijk Museum voor Schone Kunsten, Antwerp
6528 The Wife and Daughter of Colyn de Nole fg DYCK, Sir Anthony Van The Wife and Daughter of Colyn de Nole fg Oil on wood, 123 x 90,5 cm Alte Pinakothek, Munich
6533 Thomas Killigrew and William, Lord Croft fgjh DYCK, Sir Anthony Van Thomas Killigrew and William, Lord Croft fgjh 1638 Oil on canvas, 132,7 x 143,5 cm Royal Collection, Windsor
DYCK, Sir Anthony Van
Flemish Baroque Era Painter, 1599-1641 Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone;
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